“Introduction to Poetry” – Billy Collins
I ask them to take a
poem
and hold it up to the
light
like a color slide
or press an ear
against its hive.
I say drop a mouse
into a poem
and watch him probe
his way out,
or walk inside the
poem's room
and feel the walls for
a light switch.
I want them to
waterski
across the surface of
a poem
waving at the author's
name on the shore.
But all they want to
do
is tie the poem to a
chair with rope
and torture a
confession out of it.
They begin beating it
with a hose
to find out what it
really means.
In Collin’s famous poem “Introduction
to Poetry” is not just about the amazing metaphors, but also about the lack of
appreciation of poems in general. He tries to make people understand that
readers have lost the charisma of poems. Instead of the audience interpreting
it themselves, they only want the true meaning in the poem, but many poets –
like Billy Collins – want readers to interpret them themselves and bring their
own meaning to the poem so that it can be strong and give the appreciation the
poem deserves. Like the first stanza Collins says, “I ask them to take a poem/and
hold it up to the light,/like a color shade” he wants the readers to find their
own meaning, rather than take his personal meaning because poetry is about
yourself, rather than the author. As readers, we are so stuck on the true
meaning of the poem that we forget that poetry is about creating your own
meaning.
He says, on stanza three: I say drop a mouse into a poem/and watch him
probe his way out/or walk inside the poem's room/and feel the walls for a light
switch. He is saying to be blind to the author, and think about yourself. What
does this poem mean to you? What could this poem be saying inside your heart? Read
it, until you understand how the words connect to your own life. He wants the
reader to find their own way out – to find the answer inside the poem. He even
says on stanza four: “I want them to waterski/ across the surface of a poem/
waving at the author’s name on the shore” to reassure the readers that there is
no answer. He wants the readers to understand that even the authors sometimes
don’t know the true meaning, they rely on the readers to understand it.
On the second to last stanza,
Collins says, in order to get to his point “But all they want to do/is tie the
poem to a chair with rope/and torture a confession out of it.” This is what
declares his main point: that we have lost the love for poetry. Poetry, to us,
has merely come to a work assignment, when it shouldn’t be like that. Instead,
it should seen as a piece of art.
I totally agree with you on this interpretation. Collins's thoughts about how reading a poem has solely become reading it only for the author's interpretation and intention and not for enjoyment speak so strongly here. At times, I feel myself thinking the same way as he in AP Lit. Although many of the underlying meanings we find are interesting, it sometimes feels as if we can no longer read a good poem for the sake of it being a good poem. After all, I can no longer just 'watch' movies either; I have to point out all the instances of symbolism, note where motifs arise, and scan the characters' characterizations and actions for archetypes in addition to watching it. I miss the days when we young and blind Lit scholars read a poem and did "feel the walls for a light switch", and Collins illustrates this nostalgic idea perfectly.
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